An unpublished catalogue of the A. H. Church collection of Japanese sword-guards (tsuba) by Albert James Koop.
The following examples show the divergence from the traditional Gotō manner which were displayed by members both of the main school and of the branch schools founded by various pupils.
The second offshoot from the main school were founded by Chōjō (d. 1616), brother of the 5th Master. To it belong Seijō [Japanese text] I to VI, who all worked at Yedo during the 18th and first half of the 19th century. They specialised in fine silver wire inlay on iron as well as on soft metals.
A well marked group of sword-furniture, some of which is signed by various artists of Mino province, may possibly be connected with the main Gotō school.
A branch founded by Kwanjō (d. 1653), son of the 7th Master of the main school, worked at Kiōto in the traditional iyebori manner until its own 7th Master, Ichijō [Japanese text] (1789-1876), removed to Yedo and initiated a style of markedly individual character, which was perpetuated and developed by a number of brilliant pupils. Striking features of it are the thickened edge of the guard and the use of a rounded chisel or gouge to accompany or replace the V-shaped tool usual with katakiri engraving. Stampings of magnified snow-crystals are a feature peculiar to guards by Ichijō himself.
The Seijō
Other non-classical Gotō work
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