A catalogue of the Ashmolean’s collection of Chinese and Japanese lacquer (published Oxford, 1983).
The decoration comprises nine different flowers, a rarity in early Ming design.
Impey, O. R., and M. Tregear, Oriental Lacquer: Chinese and Japanese Lacquer from the Ashmolean Museum Collections (Oxford: Ashmolean Museum, 1983), no. 1 on p. viii, illus. p. 1
Piper, David, and Christopher White, Treasures of the Ashmolean Museum: An Illustrated Souvenir of the Collections, revised edn (Oxford: Ashmolean Museum, 1995), no. 35 on p. 38, illus. p. 39 fig. 35
Oxford: Ashmolean Museum, 24 May 2006-23 December 2008, Treasures: Antiquities, Eastern Art, Coins, and Casts: Exhibition Guide, Rune Frederiksen, ed. (Oxford: Ashmolean Museum, 2006), no. 144 on p. 52, illus. p. 52
lacquer
Chinese and Japanese lacquer is made from the sap of the lacquer tree, which is indigenous to Eastern China. It is applied to wood as a varnish or for decorative effect. In India and the Middle East, lacquer is made from the deposit of the lac insect.
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