A lady sits chanting and playing cymbals beside the linga icon of Shiva within a shrine set in a rocky landscape with plantains and other trees. This page from a Ragamala (‘Garland of Ragas’) illustrates the musical mode Bhairavi.
Topsfield, A., ‘A Dispersed Ragamala from the Deccan’, Naval Krishna and Manu Krishna, eds, The Ananda-vana of Indian Art: Dr Anand Krishna Felicitation Volume (Varanasi: Indica Books, 2004), p. 325, illus. p. 325 pl. 9
Ragamala, Ragini
Raga (feminine ragini) are musical modes, often represented by compositions of ladies, lovers, warriors, animals or gods, in series of Ragamala ('Garland of Ragas') paintings, a very popular artistic genre in north India and the Deccan c. 1500 - 1800.
Raga (feminine ragini) are musical modes, often represented by compositions of ladies, lovers, warriors, animals or gods, in series of Ragamala ('Garland of Ragas') paintings, a very popular artistic genre in north India and the Deccan c. 1500 - 1800.
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