Chinese Prints 1950-2006 in the Ashmolean Museum
A catalogue of the Ashmolean’s collection of Chinese prints from 1950-2006 by Weimin He and Shelagh Vainker (published Oxford, 2007).
Andrews, Julia F., Painters and Politics in the People’s Republic of China, 1949-1979. California: University of California Press, 1995.
—, and Shen, Kuiyi, with essays by Jonathan Spence, Shan Guolin, Christina Chu, Xue Yongnian, and Mayching Kao, A Century in Crisis, Modernity and Tradition in the Art of Twentieth - Century China. New York: Guggenheim Museum Publications, 1998.
Barker, David, An English-Chinese Glossary of Printmaking Terms. Belfast: University of Ulster, 1995.
—, Traditional Techniques in Contemporary Chinese Printmaking. London: A&C Black Publishers Limited, 2005.
Farrer, Anne, ed., with contributions by David Barker, Christer von der Burg, Norma Fung, He Weimin, Hwang Yin, Beth McKillop, Naomi Pears, Qi Fengge, Iris Wachs, Frances Wood, and Zheng Haiyao, Chinese Printmaking Today - Woodblock Printing in China 1980- 2000. London: The British Library Press, 2003.
Foreign Languages Press, ed. Modern Chinese Woodcuts. Peking: Foreign Languages Press, 1965.
Hwang, Yin, ed., with essays by Christer von der Burg, Frances Wood, Julia F. Andrews, David Barker, An Bin, Ellen Johnston Laing and Hwang Yin, The Art of Contemporary Chinese Woodcut. London: The Muban Foundation, 2003.
Qi, Fengge and Barker, David, For the Love of China - A Collection of Contemporary Chinese Prints, Novel Energy Art Collection. Beijing: The Chinese Overseas Publishing House, 2006.
Laing, Ellen Johnston, Art and Aesthetics in Chinese Popular Prints. Michigan: Centre for Chinese Studies, The University of Michigan. Ann Arbor, 2002.
Li, Hua, Chinese Woodcuts, tr. Zuo Boyang. Beijing: Foreign Languages Press, 1995.
Sullivan, Michael, Art and Artists of Twentieth Century China. California: University of California Press, 1996.
Vainker, Shelagh, Modem Chinese Painting: The Reyes Collection. Oxford: Ashmolean Museum, 1996.
—， Chinese Paintings in the Ashmolean Museum, Oxford. Oxford: Ashmolean Museum, 2000.
Wachs, Iris and Chang, Tsong-zung, eds,. Half A Century of Chinese Woodblock Prints - From the Communist Revolution to the Open-Door Policy and Beyond 1945-1998, Ein Harod, Israel: The Museum of Art Ein Harod, 1999.
Chinese Language
Fan Meng 范梦, A History of Modem Chinese Prints 中国现代版画史. Beijing: Chinese Youth Publisher,1997.
Li Hua and others eds. The Yearbook of Chinese Printmaking 中国版画年鉴. Shenyang: Liaoning Fine Arts Publishing House, 1982-91.
Li Xiqin 李习勤 ed., Fine Arts Encyclopedia- Printmaking 美术辞林-版画艺术卷. Xi’an: Shanxi People’s Fine Arts Publishing House, 1992.
Li Yunjing 李允经, A History of Modem Chinese Prints 中国现代版画史. Taiyuan: Shanxi People’s Press, 1996.
Pan Yaochang 潘耀昌, A Concise History of Modern Chinese Arts 中国近现代美术史. Shanghai: Baijia, 2004.
Qi Fengge 齐凤阁， A History of the Development of Modem Chinese Prints 中国新兴版画发展史. Chuangchun: Jilin Fine Arts Publishing House, 1994.
—, ed, Chinese Printmaking 中国版画 (journal). Beijing: People’s Fine Arts Publishing House, 2002-2007.
Zou Yuejin 邹跃进A History of Chinese Fine Arts: 1949-2000 新中国美术史. Changsha: Hunan Fine Arts Publishing House, 2005.
Notice
Object information may not accurately reflect the actual contents of the original publication, since our online objects contain current information held in our collections database. Click on 'buy this publication' to purchase printed versions of our online publications, where available, or contact the Jameel Study Centre to arrange access to books on our collections that are now out of print.
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